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Minstrels and Jongleurs

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Description: A brief description of the rise and fall of the medieval minstrel.
This document was originally published in The Drama: Its History, Literature and Influence on Civilization, vol. 7 . ed. Alfred Bates. London: Historical Publishing Company, 1906. pp. 3-6. The minstrel was one of the most picturesque figures of medieval life. He seems to have inherited some features of the Roman histrions and others of the bards of Gaul and Germany. In the summer, arrayed in particolored costume, and with a harp or viol across his shoulders, he ambled on a gaily-caparisoned mule from town to town and from castle to castle. His song was introduced and followed by feats of agility and legerdemain, and was accompanied with such crude music as he could command. His themes were the miracles of the saints, the stories of Scripture, or perhaps more frequently, the legends of later heroes. At the country fairs and in the market places he gathered an appreciative crowd, and in the feudal castles, whose monotony, except in actual warfare, was broken only by tournaments, he was the most welcome. High and low, old and young, glowed with enthusiasm as he sang of the prowess of Christian warriors. Lords and ladies took delight in rewarding him with substantial gifts. Kings and princes attached the most skillful of his class to their retinue. Even bishops and abbesses sought to retain their serviced permanently.
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Page title:Minstrels and Jongleurs
Keywords:minstrels, histrions, bards, troubadours
Description:Brief description of the rise and fall of the medieval minstrel.
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