Heartburn, Radio 4
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Description: By Chris Maume. [The Independent] Defending the use of voice-over narration in film.
(March 01, 2009)
Heartburn, Radio 4 - Reviews - TV & Radio - The Independent How a few choice words can skewer an erring spouse " if (!receiverEmail || !emailReg.test(receiverEmail)) { $("#mailto").before(emailErrorMessage); return false; } if (!senderEmail || !emailReg.test(senderEmail)) { $("#surname").before(emailErrorMessage); return false; } //todo: add seperate jsp for emial content: return true; } /** * This method is called by the Ajax Form Plugin after the response from the server comes back. * @param responseText the text which comes from the server. * @param statusText the status of the message returned by the server * */ function processSuccess(responseText, statusText) { var emailSuccessMessage = "
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| Page title: | Heartburn, Radio 4 - Reviews - TV & Radio - The Independent |
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| Description: | Cinema critics tend to be sniffy about voiceover narration, the idea being that dialogue and images should be sufficient to tell the story. I'm not so sure: some of my favourite films – Trainspotting, GoodFellas, A Clockwork Orange, to name three masterpieces – are all the better for it. In his screenwriting bible, Story, Robert McKee rules that if the voiceover is removed and the film still makes sense, it can be left in: narration as counterpoint is acceptable. |
| IP-address: | 87.245.200.80 |
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| Date | Last updated: 03-Feb-2014 Expiry date: 02-Feb-2016 |